King Creosote
Scroll down for info on reserving a pre-show meal with Margins Cafe.
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Since the mid-late 1990s, Kenny Anderson's DIY pop alter-ego King Creosote has released over 100 records (at a relatively conservative guess), and his songs have been covered and performed by artists including Simple Minds and Patti Smith.
Many of his LPs, EPs and CDRs were self-released via Anderson’s homegrown Fife imprint, Fence-amid major label dalliances (2005’s KC Rules OK and 2007’s Bombshell on Warners), and a long-standing kinship with Domino Records, whose KC dispatches include Kenny and Beth’s Musakal Boat Rides (2003), the Mercury Prize-shortlisted Jon Hopkins union Diamond Mine (2011), and 2014’s From Scotland With Love, which soundtracked the award-winning film of the same name.
Anderson’s latest King Creosote outing is I, Des, an album that characteristically digs deep into his previous work - revisiting and recycling lyrics, home-made tapes, half-spun songs- and continues his quest to navigate mortality, ardour, stormy waters, the moon in the sky, and the East Neuk of Fife.
I, Des is a collaboration with multi-instrumentalist and co-producer Derek O’Neill, aka Des Lawson (2016’s
Astronaut Meets Appleman, From Scotland With Love), which upholds an enduring tradition: Anderson has long had an affinity for joining forces with other musicians, including his 90s bluegrass punk rabbles the Skuobhie Dubh Orchestra and Khartoum Heroes; insurgent pop cabal The Fence Collective (James Yorkston, KT Tunstall, HMS Ginafore, The Pictish Trail); and indie-folk supergroup the Burns Unit (Emma Pollock, Karine Polwart, Sushil Dade).
He’s equally commanding whether playing live to capacity crowds at London’s Barbican, Edinburgh’s Usher Hall and Glasgow Royal Concert Hall, or serenading fans in the fishing pubs and pottery shops of Crail and An
struther; whether playing guitar, banjo, accordion, modular synths or wine glass drones. The common threads are KC’s singular voice, and his roguish, roving, ever-evolving, gorgeous songs in the key of Fife.
Book For A Pre-Show Dinner
Make your free dinner reservation to eat at our Margins Café before the show!
You must have a general admission ticket for the show to gain entry for dinner.
Doors will open for early dinner ticket holders at 18:30.
The Margins Café serves delicious, freshly prepared food at gigs and events. All profits go towards The Margins Project, based here at the Chapel which works with people who face issues of homelessness and crisis.
Book Your Dinner Reservation HERE
More Information:
The venue is seating only. All seats are unreserved and are taken on a first come first serve basis. Please arrive early before event door times if you have preferred seats. Due to the nature of our venue, please be prepared to queue for entry.
The venue is fully accessible, with use of ramps and the upstairs bar is accessible with use of a platform lift. Please email [email protected] with your accessibility requirements as soon as you purchase your ticket.
The bar is located on the first floor of the venue and will be open from the stated door time and remain open after the show.
Alcohol consumption will be limited to the bar area only, it is not permitted to take alcohol to the main chapel space. An array of soft drinks and snacks will also be available and are permitted in the main space. (Please note, no food or drink may be brought from outside into the venue. Water bottles must be emptied before entering the venue, with refilling stations available inside).